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ifc films

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Get Your First Look at Mark Duplass and Sterling K. Brown in a Gentler(?) Post-Apocalyptic Dramedy, “Biosphere”

March 27, 2023
News
biosphere, ifc films, mark duplass, mel eslyn, sterling k brown

For very apparent reasons these days, the post-apocalypse is one of pop culture’s favorite themes. Whether it be any iteration of zombies or nuclear fallout or asteroids or Thanos, etc. etc. the fascination with what to do after the world ends is undeniable.

Though, it doesn’t all have to be such fire and brimstone/doom and gloom and, like any genre/sub-genre, there can be a less explosive/gore-filled imagining of what being the last people on earth might be like. That seems to be the goal of Mel Eslyn and Mark Duplass‘ upcoming feature, Biosphere, starring Duplass and Sterling K. Brown. It’s not quite the out-and-out comedy of the Will Forte vehicle of Last Man on Earth or, as it’s set in an glass-and-steel-sealed structure, that similarly named 90s comedy, Bio-Dome, but rather a mysterious dramedy that sees the last two men trying to survive in a shiny cage and figure out what’s next for them/humanity. It also seems like part of a slow roll out of minimalist movies made during the pandemic, which has been a nice change of pace from studio tentpoles that have dominated multiplexes whether people are actually going to watch them or not.

Take a gander at what fun mysteries might come from the genre-bending Biosphere in the teaser, just released today from IFC Films, then look for a release sometime this July.

Get Your First Look at the Darkly Comedic History of The “BlackBerry”

March 15, 2023
News
blackberry, glenn howerton, ifc films, jacquie mcnish, jay baruchel, matt johnson, matthew miller, sean silcoff

Before the iPhone or Samsung Galaxy or whatever high powered smartphone you’re currently using, there was a device known as the BlackBerry, which some Gen-Z folks, unsurprisingly, might not know of. It was the dominant mobile device of elites all around the world, then, with the arrival of the iPhone, virtually became extinct.

The story behind BlackBerry’s ascent and crash is such a fascinating, almost unbelievable one (as is the case with many a tech giant that came crumbling down) following the device’s originators, Mike Lazaridis and Jim Balsillie, that Jay Baruchel and Glenn Howerton play them in a Wolf-of-Wall-Street-esque dark comedy. Matt Johnson and Matthew Miller adapted Jacquie McNish and Sean Silcoff’s book Losing the Signal: The Untold Story Behind the Extraordinary Rise and Spectacular Fall of BlackBerry into a film that got a good deal of festival heat.

So, when it comes to the question of what ever happened to the BlackBerry (or what Howerton looks like bald and Baruchel looks like with grey hair), you might find the most entertaining answer, from the looks of the trailer, with this upcoming BlackBerry movie .

If you’re on board, look for BlackBerry in theaters on May 12th thanks to IFC Films.

Take a Gander in What Could Only Be a Bob Ross Inspired Comedy “Paint”

February 8, 2023
News
bob ross, brit mcadams, ifc films, owen wilson, parody

To Millennials, Bob Ross is almost a viral sensation even before the Internet really caught on (if you can even imagine a time). The offbeat, yet gentle paint instructor got so much airtime via ads and has seeped into the consciousness of that entire generation.

So, it only stands to reason that there should be a comedy about such a figure that is so commonplace to the psyche of people in their thirties right now and that’s exactly what writer/director Brit McAdams, a fro’d-up-very-Bob-Ross-like Owen Wilson, and IFC Films have done with Paint. Well, it’s part Bob Ross, part Election (or maybe Talented Mr. Ripley?), which we’re very much on board for.

Take a peek at what’s to come with Paint with the first official teaser here.

“The Nowhere Inn” Is a Trippy Meditation on the Nature of Fame (That Also Happens to Be a Satirical Comedy Too)

September 15, 2021
News
annie clark, carrie brownstein, ifc, ifc films, nowhere inn, st vincent

It must have been much of your experience over the last year and a half to take in a gargantuan amount of TV and movies; very likely more than you’ve ever watched in any other time in your life. With binge watching of content at an all time high, you’re likely to note the repetitive and homogenous nature of it all. There are slight tweaks hear and there, some new talent you’ve never seen before and some of your old stand-bys try something new.

Certainly, very little of it jolted us out of the dynamic of just watching something because it was on and new.

The extremely trippy, meta rock mockumentary, The Nowhere Inn, from writers Carrie Brownstein and Annie Clark AKA St. Vincent and director Bill Benz is a much needed, refreshing, starkly funny departure from so much of, well, everything else out there. It’s already a bold concept to have a fictional documentary/satire about making a documentary of art rock phenom St. Vincent on tour going off the rails of the here and now and into several layers of the subconscious and unconscious. It takes on the nature of fame/rock stardom in such a surreal fashion that really makes you reexamine why they are so desired (or that being the narrative we’ve been subjected to with hours and hours and box sets upon box sets of rock docs and live concert specials).

Throughout that particular journey, The Nowhere Inn jumps, breaks, stretches genre tropes, and expectations in bolder and bolder ways that one might wonder where the film is taking us and, just as important, where we were just a few moments ago. That may be some deep water to dive into, but trust that Brownstein’s presence here makes sure there’s enough Portlandia-esque subversion to keep a fascinating narrative thread going.

In fact, The Nowhere Inn seems to be on a mission to subvert the whole idea of performatively pondering the difference between art and artist and the fame cloaking it all, especially if you just simply love the art that they make for us all.

We couldn’t help but keep thinking of This Is Spinal Tap throughout watching Clark and Brownstein’s attempt at making a very curated, hip behind-the-scenes tour documentary go awry. Famously, Spinal Tap saw a hair metal band let their egos hysterically get the best of them in a faux documentary format and The Nowhere Inn carries that torch, but opts to go to the outer limits with it. There’s more than a few passages in the film that are very much are a lucid dream that’s starting to unravel (before you get thrust back into some sort of reality).

Both Clark and Brownstein take really take huge swings in being something unto itself and wholly and enthrallingly unique and absurdly funny in the process even as they’re literally and figuratively winking at their own fictional selves winking at the camera.

The Nowhere Inn hits theaters and VOD this Fri. Sept. 17th.

You can get a dab of what’s to come with The Nowhere Inn trailer here.

Trailer for St. Vincent and Carrie Brownstein’s “The Nowhere Inn” Promises a Meta Rock Mockumentary

August 12, 2021
News
carrie brownstein, ifc films, nowhere inn, st vincent

Decades ago, the unbridled fun that This Is Spinal Tap had poking fun at overly serious hair metal sparked a whole genre of mockumentary that is still alive and well to this day.

Nowhere Inn, the meta mockumentary, seems poised to carry on that very specific torch with St. Vincent and Carrie Brownstein attempting to make a St. Vincent rock documentary, but “ending up” making a “documentary” about making a rock documentary that follows the unraveling of ego and the infectious allure of fame. So, somewhere between This Is Spinal Tap, Guy Maddin’s My Winnipeg, Portlandia, and the entire spirit and aesthetic of St. Vincent lies The Nowhere Inn. They may sound like quite a cosmic mix, but, personally, we can’t wait to see it the first chance we get.

See all of this yourself in the official trailer for The Nowhere Inn here, then look for it to stream and play theaters in North America starting Sept. 17th.

IFC Films Buys North American Rights to Armando Iannucci’s ‘The Death of Stalin’

February 13, 2017
Uncategorized
armando iannucci, berlinale, death of stalin, ifc, ifc films, political comedy, political satire, stalin

IFC Films Buys North American Rights to Armando Iannucci’s ‘The Death of Stalin’

One might be wondering what the creator of Veep, In The Loop, and The Thick of It has been doing since he has handed off the show to the very capable hands of David Mandel.

Well, Armando Iannucci has been making a satire of the last days of Stalin that were filled with high ranking in-fighting, a particular specialty of his. A cast boasting Steve Buscemi, Michael Palin, and Jeffrey Tambor is something to get very excited for as well.

It would seem that these days that any of Iannucci’s work is applicable to the political, global, cultural climate more than it has ever been. With a focus on authoritarian figure to boot, this feeling raises our anticipation for Armando’s Death of Stalin that will get a U.S. release thanks to IFC’s recent purchase of the North American rights at Berlinale 2017.

The Will They/Won’t They Dynamic Gets Taken To The Next Level in “Sleeping With Other People” Trailer

June 25, 2015
Uncategorized
alison brie, amanda peet, ifc, ifc films, jason mantzoukas, jason sudeikis, natasha lyonne, sleeping with other people

Two ex’s that are addicted to sex try not having sex with each other while reconnecting in IFC Films’ Sleeping With Other People. 

Jason Sudeikis and Alison Brie push as close to the edges of the “will they/won’t they” paradigm, that exists in all romantic comedies, as they possibly can.

A supporting cast of Jason Mantzoukas, Amanda Peet, and Natasha Lyonne seems like thy offer some pretty great comic relief from the thick, thick sexual tension as well.

Watch the trailer here, then look for it in theaters on 9/11.

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