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op ed

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Are We Seeing the End of Twitter (for Comedy)?

November 7, 2022
News
elon musk, op ed, twitter

Over ten years ago, Twitter used to be, amongst several other things, one place that comedians could build their own audience off the merits of their clever or unfiltered Twitter feeds. Rob Delaney and Megan Amram’s tweets ruled supreme and, from their massive followings on the microblogging platform, they launched their comedy careers. Additionally, supplementary platforms such as Witstream highlighted certain comedians and comedy writers and was a great way to see the best of the best live tweet anything from presidential debates to the Oscars.

Those days are long gone.

They’re so long gone that it feels like an eon ago from where Twitter is now with unhinged tech billionaire Elon Musk taking over after trying to get out of his initial deal to buy Twitter. The aggregate user base for Twitter seemingly keeps shrinking by the minute, trying to fire half the Twitter workforce has gone poorly, and the announcement for being verified for a $8/month Twitter subscription has spurned anger from nearly everyone on Twitter. Add in a spike in hate speech on the platform and you have several cans of fuel to add to the fire that is burning down what used to be the premier social media app.

As mentioned above, comedy’s relationship with Twitter used to be sacrosanct, but with the rise of Instagram and Tik Tok (and their unfortunate misfire with their livestream feature, Periscope), the platform had already fallen out of favor with comedians well before Musk’s chaotic takeover was conceived. When it comes to social media, many comics, these days, focus on captioning their stand-up on Tik Tok and Instagram Reels or trying to build a following with a uniquely focused podcast. Former Twitter stars Rob Delaney and Megan Amram have gone on to having very successful and decorated careers in writing and acting in television with Twitter being much less representative of their work.

This comedy/Twitter relationship has soured over the last 48 hours even more as Musk has stated that all impersonators will be permanently banned from Twitter if it isn’t clear parody. Changing your name on Twitter in order to satirize a brand or figure just happens to be a favorite pastime of comedians and many comedy folks are giving their farewell to Twitter by changing their profile name to none other than Elon Musk. It seems to be the last good thing to do on Twitter at this point? Kathy Griffin is the most high profile ban thus far, though comedian Griffin Newman has also seemed to be kicked off despite specifying parody when tweeting “as Musk”.

At the time of this post, there doesn’t seem to be any sort moves being made by Musk to curry favor with many of the types of people that helped build Twitter into what it once was. In fact, it would almost seem as though Elon is trying to implode Twitter after being forced to go through with a deal he wanted to back out on for all the havoc that has transpired in just the last week.

Social media already feels like a necessary evil for any sort of creative type, but especially so for comedians. With the chaos run rampant with Musk’s takeover any and all tweeting, Twitter seems destined to become a digital wasteland now. The presence of so many more social platforms that are better liked by comedic performers and audiences alike will only accelerate that demise, as far as we can see.

What we’re wondering now is how comics will try out jokes that would have tried on Twitter elsewhere? Posting text on IG Stories, actually reading jokes from a notebook on TikTok, trying that other other OTHER social media platform that vaguely resembles Twitter called Mastodon? From the look of things, we all won’t have to wait long to find out.

So, Reboots/Sequels/Revivals Are Never Going to End?

October 4, 2022
News
op ed, reboots

The news that both Frasier and the Rob Schneider vehicle The Animal are getting sequels was announced today.

Those are just two of the latest IPs in comedy alone that are being tapped for the latest content to be shoved down our collective throats. Reboots/sequels/revivals are so dominant that Hulu’s meta comedy about reboots called Reboot is actually pretty resonant and getting favorable reviews. One of the first scenes in Reboot‘s pilot actually runs down all the active reboots on TV right now and, as they intended, it’s comically long.

It’s almost a pointless question to ask “Was anyone asking for this?”, but was anyone seriously asking for this? The ardent Frasier fans that we personally know have not even brought up the idea of Frasier being brought back in any regard. They do love wrapping themselves in a binge watch of the much lauded sitcom as comfort food, but there hasn’t been some sort of big hashtag pushing for new episodes of Frasier. Anyone who is a fan of Rob Schneider these days are very likely more aligned with Rob’s politics than his comedy on both stage and screen.

Maybe somebody was asking that aforementioned question, but, more importantly, tons of data segments persuasively show to power executives that bringing back something that people know is where networks/streaming services should be plunking millions, especially when it comes to comedy. Thus, the march through every IP imaginable continues into an endless oblivion of TV series and movies that are decidedly not original in some way/shape/form.

The question that any network/studio/streaming service brass seems to be concerning themselves with is less “What are people asking for?” and more, “What will people’s nostalgia or comfort-with-what-they-know force them to watch?” That dynamic seems more insane when you consider that an original adult animated series like Rick and Morty is still one of the most popular series on TV.

So, similar to the notion that representation matters in media, originality also matters if you want to see anything that isn’t based off of something else whether it’s an old show, historical event, or a board game.

That means go see Bros right now and don’t wait for it to hit streaming.

Comedy Will Be Searching for Tone Well Into 2021

January 14, 2021
News
2021 comedy, op ed, post trump

Two full weeks into 2021 and you might have come across or just read a headline for an op-ed that is truthfully surveying where comedy is right now, where it has been over the past year, and where it might go post-Jan. 20th. Part of that self-examination has to do with the latest round of sobering bits of late night monologues that are attempting to search for a tone that reflects a certain bit of the zeitgeist (and boy howdy, what a crazy “time ghost” it has been thrashing about the collective unconscious).

And yes, this is our very own self-examining two cents on what tone comedy will take going forward.

Unlike 9/11 or any number of mass shootings where late night hosts would take on a solemn and respectful tone or even the night of Trump’s election win in 2016 where a certain sense of fear presided over jokes in some of the most ill-at-ease gallows humor that has ever been produced, this current moment is notably different. The world, no matter what side you’re on, is angry. That fury is mirrored back on Colbert and Seth Meyers in a different kind of sobering way. Dealing with the attack on the Capitol is the culmination of years of indoctrinating, dividing, and fomenting bigoted marginalized folks and the bleak roast-y feel of comedy right now is an accompanying plea for this nightmare to be over. That plea stretches from the rich wooden desks of late night all the way to the least followed comedians on Twitter.

To be clear, no one in comedy asked for Trump or even asked for a Trump like figure. Through 2015-2016, many simpletons thought that a Trump presidency would be “comedy gold”, but nearly any comedian knew what was coming and was already tired of making Trump jokes going into 2016. Yet, comedy persisted via taking shots at Trump because that demonic twerp pervaded everyone’s world every single day and you felt cursed into talking about him. A lot of it felt ineffectual, mostly because it’s incredibly hard to comedically exaggerate Trump (points to Trump vs. Bernie, The President Show, and James Austin Johnson in this department though). It’s only fitting that the most insane moments of Trump’s presidency come at the very end and leave even less breathing room for humor that isn’t insults paired with quick, explicit asides.

Supposedly, Jan. 20th will usher in a Biden/Harris administration that will have to deal with bringing some sense of “normalcy” to the country (for whatever that means in 2021) and dealing with many democrats/progressives/leftists that are anxious that they won’t be doing enough to fix the many systemic problems prevailing in the U.S. and worldwide.

Does that mean that we get an Obama era sense of humor?

Probably not.

It is going to take awhile to come down from how enraged we all are. Even though the need to laugh feels self-evident and so desperately needed, it’s too soon for comedy, whether it be in regards to comedians or audiences, to humorously process what we’re very much in the thick of. Also, the art form of comedy, one of the only art forms that is dependent on its response, is largely handicapped while the COVID-19 pandemic from being as sharp as it can be from being relegated to having to be online and appropriately adapt.

For now, we can only feel the fatigue in comedy at every level and prognosticate that it’ll have to be very new and different coming out the other end of Trump and the pandemic. If folks will want some time away from jokes about now and about reality and any of the tired tropes of comedy before Mar. 2020 (i.e. exploring binary stereotypes, complaining about the past not being the present, etc.), then we all better be ready for a bunch of folks really getting experimental (even more so than they already have because of COVID protocol) and going “out there” or being more truthful than ever before.

It’s uncertain (as is everything right now) what that might be, what comedy might sound/feel like for the rest of 2021, but comedy will be trying very, very hard to figure that out because laughter will be necessary in getting to 2022 and healing in whatever year we can actually do that.

Between Lady Bird, The Big Sick, Three Billboards Outside Ebbing, Missouri, and The Disaster Artist, Comedy Is Being Taken Seriously This Awards Season

November 30, 2017
Uncategorized
awards season, beatriz at dinner, big sick, disaster artist, ingrid goes west, lady bird, op ed, three billboards outside of ebbing missouri

Yes, Lady Bird just set a new record for Rotten Tomatoes for being the best reviewed movie in the site’s history, which comes as no surprise to us for how much it really does live up to its own hype.

Yet, Lady Bird is not the only comedy movie receiving heaps of praise as well as multiple award nominations and award wins (Spirit Awards, Gotham Awards, National Board of Review).

Comedy, just like horror, is having a banner year in movie theaters.

The Disaster Artist has won at The Gotham Awards and the Hollywood Film Awards as well as gained nominations at the Film Independent Spirit Awards and the Toronto International Film Festival.

Three Billboards Outside Ebbing, Missouri has won at the Venice Film Festival, Toronto International Film Festival, Hollywood Film Awards, British Independent Film Awards and been nominated in multiple categories for both British Independent Film Awards and the Spirit Awards.

The Big Sick has won at The Gotham Awards, Hollywood Film Awards, and SXSW and is also nominated at The Spirit Awards.

Nominations have been handed out to the likes of Ingrid Goes West and Beatriz at Dinner as well. You should also not forget that Ruben Östlund’s The Square, a hilariously scathing satire of the high art world, landed the Palme d’Or at Cannes, a rare honor for something so funny.

Normally, drama dominates film awards across the table and maybe, just maybe, one comedy like In The Loop or Grand Budapest Hotel will satisfy some genre diversity at such prestigious institutions like the ones named above or The Oscars. 

In fact, we can’t even remember a year where such a plethora of comedy that is unequivocally identifiable as comedy (as opposed to The Martian or Nebraska) getting so much distinction in the film world. 

However, we’re certainly not the first to tell you that this year is anything but normal. 

President Trump Will Break Tradition and ‘Chicken Out’ of the White House Correspondents Dinner

February 26, 2017
Uncategorized
not attending, op ed, trump, whcd, white house correspondents association

Let’s be honest though– he’ll probably watch the hell out of it and live tweet it too.

Though Trump is breaking yet another POTUS tradition, the announcement that he’ll not be attending the annual White House Correspondents Dinner (that’s effectively a presidential roast) comes with little surprise.  

Dozens and dozens of times, President Trump has demonstrated that he can’t stand the parody and satire done of him. On top of that, Trump’s war on the mainstream media, including the recent ‘gaggle’ on the NY Times, Politico, BuzzFeed, CNN, and others, and kicking off his 2020 reelection campaign paints Trump as someone who can’t handle criticism at almost any level.

Unfortunately, the criticism probably isn’t going to stop and, in turn, his whining as being depicted as an awful president probably won’t stop either. Even if his approval ratings reached new lows (they already have by the way) or he got impeached, we’d bet that Trump would never admit that he did what could be described as a “bad job”. 

Teddy Roosevelt said it best regarding this matter: “To announce that there must be no criticism of the President, or that we are to stand by the President, right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American Public.”

Again, it’s not shocking that he won’t be going to the WHCD, but it’s still regrettable.

He could do a sliver of good for his image if he sat down and took the scorching jokes that he deserves right on the chin just like President George W. Bush did when Stephen Colbert hosted the WHCD back in 2006.

White House Deputy Press Secretary Sarah Huckabee Sanders remarked on Trump not attending the event, “I think its kind of naïve of us to think that we can all walk into a room for a couple of hours and pretend that some of that tension isn’t there,” she continued. “One of the things we say in the South, if a Girl Scout egged your house, would you buy cookies from her? I think this is a pretty similar scenario.”

Unlike the Girl Scouts of America, being the President of the America comes with the territory of millions of people hating you in some way, shape or form every single day (even if you’re a well liked Commander in Chief).

One should note that The White House Correspondents Dinner has a secondary function of exhibiting and celebrating the importance of freedom of speech and a free press, as guaranteed in our Constitution. The President attending, no matter if they’re popular or not, is a renewed vote of confidence in those sacred ideals. 

With no President there, it would seem that Trump doesn’t really think such things matter that much.

Enter McSweeney’s Annual Column Contest for Free

August 25, 2013
Uncategorized
column, contest, mcsweeney's, op ed, submissions

Enter McSweeney’s Annual Column Contest for Free

Every year, the highly regarded brand for the humorous written word, McSweeney’s holds a contest to have a brand new column to bring into the fold. It’s free to enter, you can write or illustrate your column, and have until Aug. 30th 7PM PST to send it in. 

You just might win $500 and a year contract with McSweeney’s.

We’re going to go ahead and guess that a lot of you have something that’s perfect for this, so get in on submitting already. 

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