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the favourite

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December 24, 2018
Uncategorized
double feature, santa monica, the favourite, the lobster, yorgos lanthimos

Not only is one of our favorite movies from both 2015 (The Lobster) and 2018 (The Favourite) playing side-by-side and the darkly comedic genius behind them (Yorgos Lanthimos) will be in person to discuss them, but it’s a free event with RSVP (Note: link for RSVP to general public has yet to be posted).

It’s probably worth checking obsessively for when you can RSVP/perhaps signing up for an American Cinematheque membership.

Get more details here.

The rest of our listings for comedy shows, events, screenings, open mics, maps, and more can be found at www.thecomedybureau.com.

December 24, 2018
Uncategorized
double feature, santa monica, the favourite, the lobster, yorgos lanthimos

Not only is one of our favorite movies from both 2015 (The Lobster) and 2018 (The Favourite) playing side-by-side and the darkly comedic genius behind them (Yorgos Lanthimos) will be in person to discuss them, but it’s a free event with RSVP (Note: link for RSVP to general public has yet to be posted).

It’s probably worth checking obsessively for when you can RSVP/perhaps signing up for an American Cinematheque membership.

Get more details here.

The rest of our listings for comedy shows, events, screenings, open mics, maps, and more can be found at www.thecomedybureau.com.

The Favourite Might Be the Weirdest and Funniest English Period Piece You’ll Ever See

November 30, 2018
Uncategorized
the favourite, yorgos lanthimos
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Filmmaker Yorgos Lanthimos has firmly established himself as a convention-defying auteur at this point. Look no further to the genre-upending The Lobster to see Lanthimos’ engrossing style reveling in its dystopian vision of the future as much as its very successful to put a romantic comedy within in said vision.

When it comes to films set in England in centuries past, they’re usually some maudlin Merchant Ivory romance. The idea of doing a dissection of nobility, power, and the existential nature of it all and making it all darkly funny seems a little farfetched to say the least. 

Yet, Lanthimos and writers Tony McNamara and Deborah Davis accomplish just that by weaving a forbidden love triangle and a struggle for status in 18th century England with The Favourite. The backdrop of the nobility wasting their time with pomp, circumstance, and racing animals versus their debate of whether England should stay at war with France ratchets up a certain modern-feeling absurdity throughout. The perfectly measured performances of Olivia Colman, Rachel Weisz, and Emma Stone really complete Lanthimos’ lavish and ambitious vision of The Favourite.

Truly, as we suggested above, you might not see a funnier English period piece set within the Queen’s court. The Favourite is still playing at a theater near you.

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