Atsuko Okatsuka’s The Intruder Is So Good That It Should Change Up Some Already Released Year End Lists
It’s kind of a grand error by several publications that year end lists often get published in late November/early December (i.e. not the actual end of the year). As such, there is always something that’s worthy of mention that gets unjustly left off and, for 2022, that glaring omission might be Atsuko Okatsuka‘s first HBO special, The Intruder.
Atsuko has meticulously and carefully honed her entire comedy act and brand as well as her audience in a way that’s pretty undeniable. Her unstoppable charm and warmth combined with a thoroughly fresh and fascinating story (unknowingly getting moved to the U.S. from Japan as an undocumented immigrant and living as such for 7 years) and perspective (and a marvelous splash of style) have led her from being a beloved LA comedy staple to headlining across the country (and then there’s her Tik Tok fame). All of these qualities are dazzlingly on display in this HBO special, The Intruder, Atsuko’s most high profile work to date.
Atsuko exudes such great magnetism in this hour that it’s clear that she has been ready for this stage of her career for quite some time now. Her presence and command of the stage holds several narrative threads involving being undocumented and getting lost in pandemic hobbies, all stemming from the main one about a home intruder and how and her husband attempt to deal with him. In fact, there’s a hopefulness, a word rarely juxtaposed to stand-up comedy, to Atsuko’s observations and stories that might be a beacon of what stand-up comedy can (and maybe should) be (rather than re-hashings of what it has been since the 80s with updated references).
Undoubtedly, it’s one of 2022’s best specials and one can only hope that the new HBO keeps Atsuko around for more to come despite being on a cancelling spree.